Opera Mate
A rook gives mate on the back rank and a bishop guards it from a distance along a diagonal, so the king cannot take the rook and its own pawns close the rest.
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The opera mate: a rook gives mate on the back rank, and a bishop guards it from a distance along a diagonal, so the king cannot take the rook. Here Black's king on g8 has its own pawns on g7 and h7 beside it, and White's bishop on a3 already looks at f8 along the long dark diagonal. Rd8+ drives the king to f7 — its only square — and then Rf8 is checkmate: the bishop holds the rook, and White's pawns on e5 and f5 take f6 and g6 away from the king.
Rd8+ checks along the back rank. Nothing can block it, f8 and h8 are covered by the rook, so f7 is the king's only square: 1. ..Kf7. Then Rf8 is checkmate: the bishop on a3 protects the rook, e8 and g8 are covered by the rook too, e7 by the bishop, and White's pawns on e5 and f5 cover f6 and g6.
Alternative Moves
Checkmate — the opera mate. The rook on f8 is held by the bishop on a3 from the far corner of the board, so the king cannot take it; e8 and g8 are covered by the rook, e7 by the bishop, g7 and e6 are Black's own pawns, and White's pawns on e5 and f5 cover f6 and g6.
The bishop can guard from the long diagonal too. White's bishop on c3 sees all the way to h8, and the rook on b7 is one step from the back rank. Black's rooks on e2 and f4 look dangerous, but it is White's move, and mate comes first: Rb8+ leaves the king one square, h7 — g7 is covered by the bishop and f8 by the rook — and then Rh8 is checkmate, with the bishop on c3 holding the rook and White's own king on g5 covering g6 and h6.
Rb8+ checks on the back rank. The king has one square: f8 is covered by the rook and g7 by the bishop on c3, so h7 is the king's only square: 1. ..Kh7. Then Rh8 is checkmate: the bishop on c3 protects the rook along the long diagonal, g8 is covered by the rook, g7 by the bishop, and the white king on g5 takes g6 and h6 away.
Alternative Moves
Checkmate — the opera mate on the long diagonal. The rook on h8 is held by the bishop on c3; g8 is covered by the rook, g7 by the bishop, and g6 and h6 by White's king on g5. Black's two rooks and bishop never got to move.
White's rook on a8 is already on the back rank, and the bishop on f6 guards d8 and e7. Black's king on d7 is hemmed in by its own pawns on c7 and d6, and White's pawn on d5 covers c6 and e6. Which move is checkmate?
What makes the opera mate work?
Key Takeaways
- The bishop protects the mating rook from a distance — the king cannot take it.
- Check on the back rank first; the king steps to its one square and the rook follows.
- The king's own pawns do the rest: they block the squares in front of it.
Now play it through
Step through every move on a real board, try the wrong ones, and ask Knighty why they fail.
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Pillsbury's Mate
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